I have heard wonderful things about Chekhov short stories. It seems like this is one of the best collections. Here's a summary:
"Anton Chekhov is best known as a playwright, the author of such classics as Uncle Vanya, The Cherry Orchard, and Three Sisters, but he was also an accomplished short-story writer. The Essential Tales of Chekhov does not pretend to be a comprehensive collection of all his fiction, but it does lay claim to be the best. Reading these stories, one immediately notices how modern they feel. As Richard Ford writes in his introduction, "His meticulous anatomies of complicated human impulse and response, his view of what's funny and poignant, his clear-eyed observance of life as lived--all somehow matches our experience." Chekhov is a master of the telling detail, the acute psychological insight. In "After the Theatre" he captures perfectly the morbid, romantic imagination of a 16-year-old girl: "To be unloved and unhappy--how interesting that was." In "An Anonymous Story" he quickly limns the sum of one of his characters in a single image: "He was a man with the manners of a lizard. He did not walk, but, as it were, crept along with tiny steps, squirming and sniggering, and when he laughed he showed his teeth." We will see much more of this character, but we've already learned everything essential about him.
"No two Chekhov stories are alike, but they do share some common traits: though often somber, they are seldom despairing and even his most serious work is leavened by his trademark wit. Only 20 of the more than 220 tales that he wrote are included in this collection, but they provide an excellent introduction to those who have not yet had the pleasure of reading him. And for those who know and love Chekhov, The Essential Tales of Chekhov is a loving reminder of why."
This seems like it might be a little out there for you guys, but I've wanted to read this for a long time, so I thought I'd see if anyone wants to join me. Everyone I know who has read it has given it 5 stars. Here's a plot summary:
"Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes unstuck in time after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.
"Don't let the ease of reading fool you--Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Slaughterhouse-Five (taken from the name of the building where the POWs were held) is not only Vonnegut's most powerful book, it is as important as any written since 1945. Like Catch- 22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy--and humor."
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